Archive for the ‘Design’ Category

Almanac

al•ma•nac |ˈɔlməˌnæk| |ˈælməˌnæk| (also, esp. in titles, al•ma•nack)
noun
1 an annual calendar containing important dates and astronomical data such as phases of the moon, sunrise and sunset time.
‣ a handbook, typically published annually, containing information of general interest or on a sport or pastime.
ORIGIN Old French almanach, from Medieval Latin almanachus, from Andalusian Arabic (almanak, “almanac, calendar”) > or < Arabic مناخ (al-manāx, “climate”), from Late Ancient Greek ἀλμενιχιακά (“calendar”), probably ultimately of Coptic origin. Possibly the central syllable -man- is cognate with moon and month, or else was influenced by Proto-Indo-European *mens- (“moon, month”) < Proto-Indo-European base *me- (to measure).

2 A small Javascript diversion. See also: http://arno.org/almanac/

Keep Calm

Available on Flickr as nice 1920×1200 images, perfect for a desktop background.

Ideas for other variations? Leave a comment.

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The Third and the Seventh

This is not new, but if you haven’t seen it yet, you should. Make sure to watch it fullscreen.

The Third & The Seventh from Alex Roman on Vimeo.

Even though there are skeptics out there, this is entirely done in CG. Alex even posted a making of video for those who still doubt.

The title is a references to the list of arts (as first defined by Hegel, but extended by others): painting, sculpture, architecture, poetry, music, dance and cinema.

The buildings depicted include:

  • 1:41 Tadao Ando: Shiba Ryotaro Memorial Museum (2001, Higashiosaka, Osaka prefecture, Japan)
  • 2:12 Mies van der Rohe: German Pavilion (1929, Barcelona, Spain)
  • 2:19 Rafael Moneo: BCN Auditorium (1988, Barcelona, Spain)
  • 3:06 Santiago Calatrava : Milwaukee Art Museum Quadracci Pavilion (1994, Milwaukee, Wisconsin)
  • 3:43 Louis Kahn: Phillips Exeter Academy Library (1971, Exeter, New Hampshire)
  • 4:17 Frank O. Gehry: Walt Disney Concert Hall (2003, Los Angeles, California)
  • 4:50 Quadracci Pavilion
  • 5:14 German Pavilion
  • 5:47 Shiba Ryotaro Memorial Museum
  • 5:47 Barcelona Auditorium
  • 6:19 Quadracci Pavilion
  • 6:51 Phillips Exeter Academy Library
  • 6:51 German Pavilion
  • 8:00 Tadao Ando : Naoshima Contemporary Art Museum, Annex and Minami-dera Art House Project (1995, Naoshima, Kagawa prefecture, Japan)
  • 8:29 German Pavilion
  • 8:31 Satoshi Okada: House in Mt. Fuji (Forest Refuge) (2000, Narusawa, Yamanashi Prefecture, Japan)
  • 9:14 Eduardo Chilida: Elogio del Horizonte (1990, Gijón, Asturias, Spain)
  • 9:21 Quadracci Pavilion
  • 9:56 Barcelona Auditorium
  • 10:24 Shiba Ryotaro Memorial Museum
  • 10:37 German Pavilion
  • 10:37  House in Mt. Fuji (Forest Refuge)
  • 11:02  Phillips Exeter Academy Library
  • 11:44  Louis Kahn: Jatiyo Sangshad Bhaban, National Assembly Building (1982, Dhaka, Bangladesh)

I wasn’t able to identify a few places, including a loft at 3:18 and 6:37, an interior with an Eames lounge chair at 3:27, some frosted glass panels at 4:43 and some stairs at 7:15.

I worked on Apple’s tablet

No, not that tablet.

The year was 1992. I was still at school doing some research on user interfaces based on speech and gestures. But I had this problem: I had all these cool ideas but no hardware to try them on.

I was young, naive, and an Apple fanboy before the term was even invented. In May I traveled to San Jose to attend Apple’s WWDC and at one of the sessions Ron Avitzur demoed a software that turned pen scribbles into neatly formatted equations. That was the coolest demo I saw at WWDC that year. I tracked down the Apple guy who was hosting the session, and asked if he was looking for a summer intern. There was only an extremely remote chance he would say yes, but fortune favors the bold. And that day fortune was very, very kind to me. I joined Apple’s Human Interface Team in August for an internship that was only supposed to last a couple of months. I would leave Apple 10 wonderful years later.

I soon found out that Apple was working on a project code-named PenLite. The hardware was based on the Macintosh Powerbook Duo. It shared the same motherboard and greyscale screen, and the same special dock connector for peripherals such as floppy disc drives and Ethernet (well… AppleTalk). It lacked a keyboard, but its display could detect the hovering and taps of a special pen.

Our job was to write PenMac, the system software extensions to Mac OS that would allow existing Mac applications to be used in this environment. It was a very interesting problem. For example, with the menu bar at the top of the screen your hand would hide the menu after you tapped on it. You also quickly realized how you take for granted the shift and commands keys.

I started working on the problem of gesture recognition, figuring that gestures would perhaps be a way of bringing back the convenience of keyboard shortcuts. I came up with a few interesting ways of doing this that ended up as patents for Apple (5,583,946, 5,590,219, 5,594,810 and 5,749,070).

As an aside, in 1993 we were paid a visit by a couple of guys from San Diego who were working on a drawing app they called SmartSketch. You could sketch four lines with a mouse and they would turn into a square. As much as it was fun to use with a mouse, it really shined when using a pen: it’s much easier to sketch with a pen than with a mouse and it made for a much more natural interaction. We gave them much encouragement to build pen-based software. They eventually founded a company and called it FutureWave. In 1995 they added support to create animations and called their new app FutureSplash Animator. Macromedia acquired FutureWave in 1996, and renamed FutureSplash Animator to Flash 1.0. Guess what I am working on these days… Small world.

Apple canceled the PenLite project in August 1993 as it decided to focus on Newton. We were all sad, but that experiment had also showed the limitations of repurposing a traditional desktop user interface. And yet, having a clipboard-sized computing device was deeply compelling. Despite the low resolution of the screen compared to what today’s technology can offer, the form factor of the device, the ability to cradle it in your arms, made for a fundamentally different, more intimate, experience than a laptop.

And yet, the Windows-based tablet computers of today suffer from the same problem: repurposing for a tablet a UI designed for a desktop is like eating pea soup with a fork.

Here’s hoping we will soon see clipboard-sized devices with a custom-designed user interface. I want to eat my ice cream with a spoon.

Out of box experience of Microsoft Surface

The whole experience was probably best summed up by Amanda who, when asked why it was taking us so long to get the machine up and running, and why we all looked so unhappy, replied “Oh, it’s just so…Microsofty.”

Read more at http://kinesismomentum.wordpress.com/.

They’ve pulled the article. Link updated to cached version.